cosas que hacer
negar la existencia del dinero como un fin
For a decade, Stereolab have carved a unique path on the margins of British pop. From the pounding guitar linearity of earlier material,
"When we're in the studio," he starts "we have melodic lines and pick the one that sounds best, then pick the instrument that it sounds best on. And that's it. And it's done on a totally intuitive level."
"We also used a MoogerFooger delay. It's got a real 60s delay sound. Actually we usually record with the effects on rather than doing it dry and adding them alter, because I find it saves time it make the decisions early on. I like to see how the sound is as we're going along. It's just a way of trying to get more interesting sounds." roup play live, improvisation figures only in the sense that "you can have a husk of sequencer patterns that you can mutate, like in a dub mix" (an approach which has direct parallels with the live performances of such Techno operatives as Orbital and Mixmaster Morris). Performance isn't strenuous in the Carducci sense, but it's mentally draining - "Like doing somersaults in your head," says Tardo.
"Even in the digital age, you still have a body."
It's the connection between 'Techno' and 'Animal' that's interesting.
It's the connection between 'Techno' and 'Animal' that's interesting.
It's the connection between 'Techno' and 'Animal' that's interesting.
It's the connection between 'Techno' and 'Animal' that's interesting.
It's the connection between 'T you ' and 'A I al' that's interesting.
It's the connection between 'Shit' and 'Anenima' that's interesting.
It's the connection between 'dick' and 'jay' that's interesting.
escribir en mi B asuraL iter(an)OrG asmik
jueves 14/ jun/ 2002
clases en la tarde
tareas inconclusas
sonidos extraños
promesas incumplidas
tele-fonosinicos
tele- fo.noexistente
la vida me cambia de nuevo
y no me refiero que "ella" haya cambiado
sino a que mis pensamientos del
dia anterior son completamente diferentes ahora(12:26am)
de todas las imbeciles teorias que haya gestado en mi adolescencia
casi todas se desmoronan, pero no me urgo, no
porque estoy preparado para ser destruido de varias formas
fisicamente, animicamente, intelectualmente,
y luego de mas o menos 2 semanas
ser casi la misma persona que el inicio
solo que al final conozco mas realidad que teorias
y no me he corrompido tanto como los demas
y no he sido tan patan para hablar por la espalda
y he sido tan imbecil para decir algo y escribir algo
y no sentir lo que he dicho
he sido un resentido al no decir
una minima expresion de mi pensamiento
al no hablar lo que pienso
al no manifestar ni real sentimiento
y/o estado animico hacia los pseudomaduros
me centro en mi y me converto en un ser a-sociable
a-filo
i-rreal
LAMENTO HABERTE DEJADO LEER LO ANTERIOR
DESCARGA DE FRUSTRACIONES
ahead
visita..... slowly
downward
(punto)com
negar la existencia del dinero como un fin
For a decade, Stereolab have carved a unique path on the margins of British pop. From the pounding guitar linearity of earlier material,
"When we're in the studio," he starts "we have melodic lines and pick the one that sounds best, then pick the instrument that it sounds best on. And that's it. And it's done on a totally intuitive level."
"We also used a MoogerFooger delay. It's got a real 60s delay sound. Actually we usually record with the effects on rather than doing it dry and adding them alter, because I find it saves time it make the decisions early on. I like to see how the sound is as we're going along. It's just a way of trying to get more interesting sounds." roup play live, improvisation figures only in the sense that "you can have a husk of sequencer patterns that you can mutate, like in a dub mix" (an approach which has direct parallels with the live performances of such Techno operatives as Orbital and Mixmaster Morris). Performance isn't strenuous in the Carducci sense, but it's mentally draining - "Like doing somersaults in your head," says Tardo.
"Even in the digital age, you still have a body."
It's the connection between 'Techno' and 'Animal' that's interesting.
It's the connection between 'Techno' and 'Animal' that's interesting.
It's the connection between 'Techno' and 'Animal' that's interesting.
It's the connection between 'Techno' and 'Animal' that's interesting.
It's the connection between 'T you ' and 'A I al' that's interesting.
It's the connection between 'Shit' and 'Anenima' that's interesting.
It's the connection between 'dick' and 'jay' that's interesting.
escribir en mi B asuraL iter(an)OrG asmik
jueves 14/ jun/ 2002
clases en la tarde
tareas inconclusas
sonidos extraños
promesas incumplidas
tele-fonosinicos
tele- fo.noexistente
la vida me cambia de nuevo
y no me refiero que "ella" haya cambiado
sino a que mis pensamientos del
dia anterior son completamente diferentes ahora(12:26am)
de todas las imbeciles teorias que haya gestado en mi adolescencia
casi todas se desmoronan, pero no me urgo, no
porque estoy preparado para ser destruido de varias formas
fisicamente, animicamente, intelectualmente,
y luego de mas o menos 2 semanas
ser casi la misma persona que el inicio
solo que al final conozco mas realidad que teorias
y no me he corrompido tanto como los demas
y no he sido tan patan para hablar por la espalda
y he sido tan imbecil para decir algo y escribir algo
y no sentir lo que he dicho
he sido un resentido al no decir
una minima expresion de mi pensamiento
al no hablar lo que pienso
al no manifestar ni real sentimiento
y/o estado animico hacia los pseudomaduros
me centro en mi y me converto en un ser a-sociable
a-filo
i-rreal
LAMENTO HABERTE DEJADO LEER LO ANTERIOR
DESCARGA DE FRUSTRACIONES
ahead
visita..... slowly
downward
(punto)com
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